Premium Content:

Queen of the Court Week 3

Last week Misty Phlatable was cut from the competition, leaving five drag queens to battle it out for the title Queen of the Court.

This week the queens were given the challenge of creating a distinctive look and performing a number, while the second half of the competition focused on some messy parlor games.

- Advertisement -

Perri Oxide appeared first with a giant wig that she struggled to keep on top of her head and some lightening eye-brows, after weeks of the judges criticising her giant eyebrows, this week they were commendable. Performing to The Weather Girls ‘It’s Raining Men’ Perri Oxide gave the night a great start.

Anna Falacksis appeared in a scary looking ensemble with impressive body paint. Her mash-up of several songs was grinding and didn’t go down well with the judges.

Fay Rocious surprised everyone by performing a song that wasn’t by Beyonce, instead she was almost unrecognisable in a ghoulish outfit performing to Marilyn Manson. Dripping fake blood from her mouth, Fay Rocious was a crowd favourite.

Alexas Armstrong appeared looking rather like The Joker behind bars before stripping off to her favourite corset and covering her whole body in fake blood.

The second half of the show say the contestants playing musical chairs, shaving balloons with razors, seeing who could get the most marshmallows in their mouth (all Drag Queens have notoriously big mouths) and covering their faces with lipstick and glitter.

Fay Rocious was named the winner of Round 3 and Anna Falacksis was given her marching orders, giving weight to Val Nourishes prediction that she may win the competition in another 7 or 8 years of trying.

Heading in to the final Perri Oxcide, Fay Rocious and Alexas Armstrong have all won a round, leaving Harvest DoBois as the underdog.

Latest

OPINION | Safety is for everyone

"Public safety cannot be selective. It either protects all of us, or it protects none of us."

Budget extends commitment to HIV response

Health groups have welcomed news in the federal budget of continued support for Australia's efforts to eliminate HIV.

Ella Prince on why ‘The Shepherd’s Hut’ is a story for today’s world

Ella Prince returns to Perth for Black Swan Theatre’s adaptation of Tim Winton’s 'The Shepherd’s Hut', exploring masculinity and connection.

Attacks on Queer Prom event raise calls for LGBTIQA+ youth safety

“When these spaces are targeted, it sends a message that young people’s safety is up for debate.”

Newsletter

Don't miss

OPINION | Safety is for everyone

"Public safety cannot be selective. It either protects all of us, or it protects none of us."

Budget extends commitment to HIV response

Health groups have welcomed news in the federal budget of continued support for Australia's efforts to eliminate HIV.

Ella Prince on why ‘The Shepherd’s Hut’ is a story for today’s world

Ella Prince returns to Perth for Black Swan Theatre’s adaptation of Tim Winton’s 'The Shepherd’s Hut', exploring masculinity and connection.

Attacks on Queer Prom event raise calls for LGBTIQA+ youth safety

“When these spaces are targeted, it sends a message that young people’s safety is up for debate.”

Parents at Adelaide school plan protest against IDAHOBIT event

Parents say IDAHOBIT Day is "woke" and part of an "gender ideology" push.

OPINION | Safety is for everyone

"Public safety cannot be selective. It either protects all of us, or it protects none of us."

Budget extends commitment to HIV response

Health groups have welcomed news in the federal budget of continued support for Australia's efforts to eliminate HIV.

Ella Prince on why ‘The Shepherd’s Hut’ is a story for today’s world

Ella Prince returns to Perth for Black Swan Theatre’s adaptation of Tim Winton’s 'The Shepherd’s Hut', exploring masculinity and connection.