The stage is populated on one side by an arm chair with large stacks of books, on the other side a chaise lounge is surrounded by piles more books, further back on the stage is a grand piano. Immediately you find yourself wondering if this a recreation of Miriam Margolyes lounge room?
Clad in tails, pianist John Martin heads to the piano and opens with some old music hall tunes. The instantly recognisable Miriam Margolyes makes her entrance and within minutes has the audience singing along to the old show tunes.
Whether you know her from the Harry Potter films, or the ABC’s Miss Fisher Murder Mysteries, or her outstanding documentary series on Charles Dickens, there’s something instantly familiar about Margolyes – like she’s everyone’s slightly egocentric aunt.
Over the next two hours Margolyes took us on a journey of anecdotes from her life, told jokes and shared her observations. We also were treated to moments from some of her favourite stories and plays.
Recounting a story involving Dame Maggie Smith, Margolyes using only a facial expression is instantly transformed into the British actress – and when she speaks, perfectly nailing Smith’s distinctive alliteration, the possession is complete.
Sharing her love of Dickens, Margolyes delivers the best portrayal of Mr Bumble from ‘Oliver Twist’. While playing his love interest Mrs Corney. Margolyes talent in changing her voice, her expression and movement is like watching a master magician at work.
Recounting a production of ‘Gertrude Stein and Companion’, where Pamela Rabe took on the role of Alice B Toklas, Margolyes shares a hilarious story about traveling to America to present the show at a massive lesbian festival. “Whenever someone spells Women with a Y, you should be very afraid!’ Margolyes warned.
Throughout the show we visit several characters from Dickens’ novels, drop in on Romeo and Juliet, read some writing by Clive James, drop in one the rehearsals for the musical ‘Wicked’ and go to auditions for a role in the TV soap ‘Crossroads’.
The show is a selection of moments, it’s like you’ve dropped in on soiree at Margolyes pad, it’s casual, honest and slightly outrageous. A lighthearted production that was a mountain of fun.
‘The Importance of Being Miriam‘ is at the State Theatre Centre until 11th April.
Graeme Watson
